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"The higher Christian churches—where, if anywhere, I belong—come at God with an unwarranted air of professionalism, with authority and pomp, as though they knew what they were doing, as though people in themselves were an appropriate set of creatures to have dealings with God. I often think of the set pieces of liturgy as certain words which people have successfully addressed to God without their getting killed. In the high churches they saunter through the liturgy like Mohawks along a strand of scaffolding who have long since forgotten their danger. If God were to blast such a service to bits, the congregation would be, I believe, genuinely shocked. But in the low churches you expect it any minute. This is the beginning of wisdom."

Annie Dillard, Holy the Firm

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"And I, who believe that God is love, what answer could I give my young questioner, whose dark eyes still held the reflection of that angelic sadness which had appeared one day upon the face of the hanged child? What did I say to him? Did I speak of that other Jew, his brother, who may have resembled him—the Crucified, whose Cross has conquered the world? Did I affirm that the stumbling block to his faith was the cornerstone of mine, and that the conformity between the Cross and the suffering of men was in my eyes the key to that impenetrable mystery whereon the faith of his childhood had perished? […] All is grace. If the Eternal is the Eternal, the last word for each of us belongs to Him. This is what I should have told this Jewish child. But I could only embrace him, weeping."

Robert McAfee Brown, preface to the 25th Anniversary Edition of Night, by Elie Wiesel

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"Then I said something. I said, Suppose, just suppose, nothing had ever happened. Suppose this was for the first time. Just suppose. It doesn’t hurt to suppose. Say none of the other had ever happened. You know what I mean? Then what? I said."

Raymond Carver, “Chef’s House”

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Exit

I have to leave the city now, she said,
Or dash my soul against my will instead.

I do not wish to have the quiet part of me
That once could rest (the part
That could just be) tossed
Aside and left somewhere
For dead.

Tonight it seems to me
That what some friends call energy
Is nothing more than a phenomenon of nature known as
“Incurable Whirling Disease.”

Please, take me far from here, she said,
The buildings sting and echo
With the fumy cries of yellowjacket cars.

I took her hand in mine and said,
I’m thinking of a place now
Where I used to have to tell myself
Aloud,
Those are not clouds,
They’re stars.

— Linford Detweiler 

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"I don’t want life to feel like a graveyard, dotted with monuments and markers of what once was. I don’t want anything inside the tomb. I want it all resurrected. All found, fixed, redeemed."

Sara Zarr

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"In the meantime, however, it seems worth while at least to mention the most serious defect in the story, which is this. The Savage is offered only two alternatives, an insane life in Utopia, or the life of a primitive in an Indian village, a life more human in some respects, but in others hardly less queer and abnormal. At the time the book was written this idea, that human beings are given free will in order to choose between insanity on the one hand and lunacy on the other, was one that I found amusing and regarded as quite possibly true. […] “And so they died miserably ever after”—much to the reassurance of the amused, Pyrrhonic aesthete who was the author of the fable.

Today I feel no wish to demonstrate that sanity is impossible. On the contrary, though I remain no less sadly certain than in the past that sanity is a rather rare phenomenon, I am convinced that it can be achieved and I would like to see more of it. For having said so in several recent books and, above all, for having compiled an anthology of what the sane have said about sanity and the means whereby it can be achieved, I have been told by an eminent academic critic that I am a sad symptom of the failure of an intellectual class in time of crisis. The implication being, I suppose, that the professor and his colleagues are hilarious symptoms of success. The benefactors of humanity deserve due honor and commemoration. Let us build a Pantheon for the professors. It should be located among the ruins of one of the gutted cities of Europe or Japan, and over the entrance to the ossuary I would inscribe, in letters six or seven feet high, the simple words: Sacred to the memory of the World’s Educators. SI MONUMENTUM REQUIRIS CIRCUMSPICE."

Aldous Huxley, foreword to 1946 edition of Brave New World

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"

People usually (always?) come to church as they do to prayer and poetry—through suffering and terror. Need and fear…

The faithless contenders for prayer’s relief who sometimes ask me for help praying (still a comic notion) often say it seems hypocritical to turn to God only now during whatever crisis is forcing them toward it – a kid with leukemia, say, husband lost in the World Trade Center. But no one I know has ever turned to God any other way. As the old adage says, there are no atheists in foxholes. Maybe saints turn to God from innate righteousness. The rest of us tend to show up holding out a tin cup.

"

Mary Karr (ht mbird)

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Praying Drunk

Our Father who art in heaven, I am drunk.
Again. Red wine. For which I offer thanks.
I ought to start with praise, but praise
comes hard to me. I stutter. Did I tell you
about the woman whom I taught, in bed,
this prayer? It starts with praise; the simple form
keeps things in order. I hear from her sometimes.
Do you? And after love, when I was hungry,
I said, Make me something to eat. She yelled,
Poof! You’re a casserole!—and laughed so hard
she fell out of the bed. Take care of her.

Next, confession—the dreary part. At night
deer drift from the dark woods and eat my garden.
They’re like enormous rats on stilts except,
of course, they’re beautiful. But why? What makes
them beautiful? I haven’t shot one yet.
I might. When I was twelve, I’d ride my bike
out to the dump and shoot the rats. It’s hard
to kill your rats, our Father. You have to use
a hollow point and hit them solidly.
A leg is not enough. The rat won’t pause.
Yeep! Yeep! it screams, and scrabbles, three-legged, back
into the trash, and I would feel a little bad
to kill something that wants to live
more savagely than I do, even if
it’s just a rat. My garden’s vanishing.
Perhaps I’ll merely plant more beans, though that
might mean more beautiful and hungry deer.
Who knows?
               I’m sorry for the times I’ve driven
home past a black, enormous, twilight ridge.
Crested with mist, it looked like a giant wave
about to break and sweep across the valley,
and in my loneliness and fear I’ve thought,
O let it come and wash the whole world clean.
Forgive me. This is my favorite sin: despair—
whose love I celebrate with wine and prayer.
 
Our Father, thank you for all the birds and trees,
that nature stuff. I’m grateful for good health,
food, air, some laughs, and all the other things
I’m grateful that I’ve never had to do
without. I have confused myself. I’m glad
there’s not a rattrap large enough for deer.
While at the zoo last week, I sat and wept
when I saw one elephant insert his trunk
into another’s ass, pull out a lump,
and whip it back and forth impatiently
to free the goodies hidden in the lump.
I could have let it mean most anything,
but I was stunned again at just how little
we ask for in our lives. Don’t look! Don’t look!
Two young nuns tried to herd their giggling
schoolkids away. Line up, they called. Let’s go
and watch the monkeys in the monkey house.
I laughed, and got a dirty look. Dear Lord,
we lurch from metaphor to metaphor,
which is—let it be so—a form of praying.

I’m usually asleep by now—the time
for supplication. Requests. As if I’d stayed
up late and called the radio and asked
they play a sentimental song. Embarrassed.
I want a lot of money and a woman.
And, also, I want vanishing cream. You know—
a character like Popeye rubs it on
and disappears. Although you see right through him,
he’s there. He chuckles, stumbles into things,
and smoke that’s clearly visible escapes
from his invisible pipe. It makes me think,
sometimes, of you. What makes me think of me
is the poor jerk who wanders out on air
and then looks down. Below his feet, he sees
eternity, and suddenly his shoes
no longer work on nothingness, and down
he goes. As I fall past, remember me.
 
— Andrew Hudgins

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"A blur of romance clings to our notions of ‘publicans,’ ‘sinners,’ ‘the poor,’ ‘the people in the marketplace,’ ‘our neighbors,’ as though of course God should reveal himself, if at all, to these simple people, these Sunday school watercolor figures, who are so purely themselves in their tattered robes, who are so single in themselves, while we now are various, complex, and full at heart. We are busy. So, I see now, were they. Who shall ascend into the hill of the Lord? or who shall stand in his holy place? There is no one but us. There is no one to send, nor a clean hand, nor a pure heart on the face of the earth, nor in the earth, but only us, a generation comforting ourselves with the notion that we have come at an awkward time, that our innocent fathers are all dead—as if innocence had ever been—and our children busy and troubled, and we ourselves unfit, not yet ready, having each of us chosen wrongly, made a false start, failed, yielded to impulse and the tangled comfort of pleasures, and grown exhausted, unable to seek the thread, weak, and involved. But there is no one but us. There never has been. There have been generations which remembered, and generations which forgot; there has never been a generation of whole men and women who lived well for even one day. Yet some have imagined well, with honesty and art, the detail of such a life, and have described it with such grace, that we mistake vision for history, dream for description, and fancy that life has devolved. So. You learn this studying any history at all, especially the lives of artists and visionaries; you learn it from Emerson, who noticed that the meanness of our days is itself worth our thought; and you learn it, fitful in your pew, at church."

Annie Dillard, Holy the Firm

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"Maybe great sorrow or guilt is simply to be accepted as absolute, like revelation. My iniquity/punishment is greater than I can bear. In the Hebrew, her father said, that one word has two meanings and we chose one of them, which may make it harder for us to understand why the Lord would have pardoned Cain and protected him, and let him go on with his life, marry, have a son, build a city. His crime was his punishment, which had to mean he wasn’t such a villain after all."

Marilynne Robinson, Home